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Their plan from the start was to create the most complete and most ambitious video course ever shot on this genre. It’s the first result of a collaboration between Fstoppers and Elia Locardi, a well-known landscape photographer. This is a massive, 13-hour video course on landscape photography and post-processing. It’s presented by Pye Jirsa, a photographer and educator whom I much respect.įor whom: advanced photographers who want to take their game to the next level with eye-catching light patterns. It teaches taste, creative vision, and critical thinking in photography. These lighting setups are key for professional-looking and feeling images.īut there’s more to this course than just its core content. Your photos will catch the viewers’ eye from afar and will keep them amazed when watched close-up. It’s also quite long, at 8 hours.įrom this course, you’ll learn a number of ways to creatively light your (mainly portrait) subjects.
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It’s entertaining, fun, but full of valuable information.

There are no accuracy issues or mistakes whatsoever. It’s flawless in production, quality of content, images, style, and wow-factor. The best photography course I’ve reviewed in the past few months is SLR Lounge’s ‘Lighting 3 – Advanced Off-Camera Flash’. Community can include Facebook groups or good comment integration on the provider’s own website. We give another 5 points if a course provider has great customer support, gives customers extra educational material, or updates their courses often.
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These are not strictly related to the core content of a course, so we view these points as possible plus points, a maximum of 5. We also give extra points here for unusual features, such as extra videos in ebooks, or additional checklists or cheat sheets. It goes up if there are very few alternatives. Here, we look at how specific a course’s niche of photography is. The maximum here is also 15, and we consider anything above 12 excellent.

This is also where the quality of the photos in the course counts. In video courses, we judge audio and image quality, editing consistency, animation and text elements, lighting, and resolution. This point looks at design, formatting, transparency, and digital integration in ebooks.
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Additionally, we examine the use of unnecessary professional jargon, which is often a problem. We assess its consistency in terms of design, use of words and signs, and understandability. We look at how logically a course is built, and how clear its line of thought is. It’s important for a course to translate well to its audience. Above 18 is what we consider excellent, meaning that the creators paid great attention to detail. Above 15, there are no significant problems in this aspect. We believe that a great course should not contain any of these. Accuracyĭuring the review process, we often find inaccurate, or even wrong information being disclosed, or heavy oversimplifications. If we see additional, valuable knowledge included, it goes up, and can reach a total of 20 points. If it misses out on important points, this score goes down. Given our experience in creating and reviewing courses, we have a fairly clear picture of what a course or ebook should contain within its niche of photography. Consider 14 and above a good deal, and 17 or above an exceptionally great deal, out of the maximum of 20. We always base this on the advertised, often discounted price, not the theoretical full price. We also assess how much you will gain financially and intellectually from it. In this, we compare a course’s price to its direct alternatives on the market.
